Morris Arboretum Photo Competition

“Look deep into nature, and then you will understand everything better.”
-Albert Einstein

Quite often, we go through life and miss so many details in the world around us. During their first semester, the students at Antonelli Institute went to Morris Arboretum of the University of Pennsylvania with the task to find things that most people would normally overlook. The best of their photos were entered into a photo contest that included an image from each of the students. The print competition had three categories; most creative, best print quality, and overall best of show. They also held an online competition that was open to anyone and everyone to participate and vote. There was only one category online, and the 14,000 people reached chose an overall winner.

Print Competition Winners:

Best print quality: Sam Shirley
Most creative: Matt Inoa
Best of show: Jordan Curry

Online Competition Winner:

Best Image: Haley Somonski

Photographer: Allison Wodock

News, Uncategorized

Women’s March on Washington https://www.womensmarch.com/

Photography by Antonelli Institute NPPA Staff Photographer, Nicholas Koehler



“Approximately 500,000 people made their way into Washington D.C. on January 21, 2017 for the “Women’s March on Washington D.C.” This march was held to talk about women’s rights along with other issues concerning minorities and equality.”


_NSK3345Antonelli Institute NPPA Koehler.jpg















The National Press Photographers Association, a professional society that promotes the highest standards in visual journalism, acknowledges concern for every person’s need both to be fully informed about public events and to be recognized as part of the world in which we live.

Visual journalists operate as trustees of the public. Our primary role is to report visually on the significant events and varied viewpoints in our common world. Our primary goal is the faithful and comprehensive depiction of the subject at hand. As visual journalists, we have the responsibility to document society and to preserve its history through images.

Photographic and video images can reveal great truths, expose wrongdoing and neglect, inspire hope and understanding and connect people around the globe through the language of visual understanding. Photographs can also cause great harm if they are callously intrusive or are manipulated.

This code is intended to promote the highest quality in all forms of visual journalism and to strengthen public confidence in the profession. It is also meant to serve as an educational tool both for those who practice and for those who appreciate photojournalism. To that end, The National Press Photographers Association sets forth the following.


Visual journalists and those who manage visual news productions are accountable for upholding the following standards in their daily work:

  1. Be accurate and comprehensive in the representation of subjects.
  2. Resist being manipulated by staged photo opportunities.
  3. Be complete and provide context when photographing or recording subjects. Avoid stereotyping individuals and groups. Recognize and work to avoid presenting one’s own biases in the work.
  4. Treat all subjects with respect and dignity. Give special consideration to vulnerable subjects and compassion to victims of crime or tragedy. Intrude on private moments of grief only when the public has an overriding and justifiable need to see.
  5. While photographing subjects do not intentionally contribute to, alter, or seek to alter or influence events.
  6. Editing should maintain the integrity of the photographic images’ content and context. Do not manipulate images or add or alter sound in any way that can mislead viewers or misrepresent subjects.
  7. Do not pay sources or subjects or reward them materially for information or participation.
  8. Do not accept gifts, favors, or compensation from those who might seek to influence coverage.
  9. Do not intentionally sabotage the efforts of other journalists.

Ideally, visual journalists should:

  1. Strive to ensure that the public’s business is conducted in public. Defend the rights of access for all journalists.
  2. Think proactively, as a student of psychology, sociology, politics and art to develop a unique vision and presentation. Work with a voracious appetite for current events and contemporary visual media.
  3. Strive for total and unrestricted access to subjects, recommend alternatives to shallow or rushed opportunities, seek a diversity of viewpoints, and work to show unpopular or unnoticed points of view.
  4. Avoid political, civic and business involvements or other employment that compromise or give the appearance of compromising one’s own journalistic independence.
  5. Strive to be unobtrusive and humble in dealing with subjects.
  6. Respect the integrity of the photographic moment.
  7. Strive by example and influence to maintain the spirit and high standards expressed in this code. When confronted with situations in which the proper action is not clear, seek the counsel of those who exhibit the highest standards of the profession. Visual journalists should continuously study their craft and the ethics that guide it.